Aah, the power of the low end. Not enough grindcore bands today recognize the power of a crushing bass groove, preferring to keep the riffs grinding and the drums blasting. Luckily, the gals (and guy) in Flagitious Idiosyncracy in the Dilapidation - the first non-gore related name Ive ever had to look up - know when to let up on the speed and settle into a gut busting groove. I had the pleasure of catching them last weekend, where they blew me away with an incredibly tight and focused performance. But the thing that stuck me most was the sheer intensity of the bass in this band, whether grooving or grinding: it was LOUD, and it never stopped.
I snagged a copy of their new EP after the set and, like their performance, the focus here is definitely the bass. Opening track Sakai starts off with a pretty ominous bass riff, which is soon joined by some rather tasteful guitar feedback, all before launching full throttle into familiar blasting territory. But the bass never fades from the foreground, crunching along over everything else. Its prominence forces the listener to recognize each song's rhythm, which tend to be rather strong, especially for a grind band. The punky, stop-start bounce of Zenmou is a shining example, sure to get circle pits started in a heart-beat.
While the excellent bass playing is Kakusei's biggest strength, it also contributes to its biggest weakness: you just cant hear the guitar. Normally this doesnt bother me, but every once in a while, a tasty little guitar lick rears its head to remind me that this guy is actually doing some neat stuff. Its the little flourishes at the end of the grind riffs in Sajou and Shosou that make me wish the band had just turned the guitar up a little bit. By the time closer Kyogen comes around, FID seems to have figured out the proper balance, and the reward is definitely one of the best riffs on the whole album.
This is a promising EP. FID knows how to write a memorable song, combining dinosaur-sized grooves with some creative guitar work that keeps the grindcore formula interesting. Hopefully by the time of their next release, theyll have found a more balance sound.
Engage in flagitious activity
Tuesday, January 25, 2011
Sunday, January 23, 2011
JAN 22nd: FIGHT AMP, ROSETTA, AND KYLESA
On January 22nd at the 31st Street Pub, I caught Rosetta, Fight Amp, Kylesa on the first legs of their US-Canadian tour. Fight Amp is a band from southern New Jersey formed in 2003, and I got the chance to get introduced to them in 2005 at several basement shows in New Brunswick,NJ. Considering it has been so many years since I last saw them, I was stoked to catch them here in Pittsburgh. Additionally, VCPUNX had managed to get Rosetta to play a show at Vassar College, making the Pittsburgh show's line-up even more of a nostalgia trip. Sadly the venue had some serious tech issues, and the resulting effect was a shortened show that lacked luster despite all the bands' determination to play through the issues. Fight Amp's drummer Mike Howard ended up splitting his pedal in two... what a fucking maniac! All the bands had great presence, having drawn out a packed crowd. I look forward to catching Kylesa again, hopefully in their full audio glory. They played some older tracks, though certainly focusing on songs from their most recent release, Spiral Shadow. Anyway, despite the hiccups of the live show , the golden opportunity to pick-up schwag was there and I clasped my greedy little fingers around it. The following albums were picked up at the show (minus Spiral Shadow) from the musicians themselves. DIG THE MUSIC KIDS!
FIGHT AMP's Hungry for Nothing and it's follow-up Manners and Praise are two albums that call back to the days of booze-soaked metal-punk festering in the basements of New Jersey. It's really great to see these guys getting the exposure they deserve. Having been a touring band for about seven years and dealing with several line-up changes, theses guys are professionals in their craft. Their many splits, especially those with with Exosus and Black Tusk, show case their brooding sound, and their two albums have been excellent explorations into the depths of their manic depravity and punk debauchery. I mean honestly, the title of their first EP says it all: Ugly kids doing ugly things. After that night's show they said that they are hopefully playing another Pittsburgh show in May/June on another US tour, so keep your eyes peeled!
FIGHT AMP Myspace and Official Website
DL (MF) - HUNGRY FOR NOTHING
DL (MF) - MANNERS AND PRAISE
ROSETTA's self-labelling as "metal for astronauts" is adequately fitting, and they have been carving out their particular sound for a long time with relentless touring both in the US and abroad. Their latest release A Determinism of Morality is an exploration into the emotive cascades of pounding drums and ethereal guitars and synths, layered with brutal vocals. Loud, immersive and intense, Rosetta continues to remain aloof of the label "post metal" while maintaining the chaos of creativity.
ROSETTA Myspace and Official Store
DL (MF) - A DETERMINISM OF MORALITY
I know Kylesa's Time Will Fuse Its Worth is already heavily trafficked on the internet, but I feel like posting this because it just deserves the attention. Spiral Shadow, though having received mixed reviews for its accessibility, I believe is a great album despite it's tendency towards being more polished and produced. The latter is a true showcase of awesome stoner metal, while the former displays Kylesa's recent leaning towards a heavy yet noticeably more accessible sound... you be the judge.
KYLESA Myspace and Official Website
DL (MF) - TIME WILL FUSE ITS WORTH
DL (MF) - SPIRAL SHADOW
Braving the frigidity of the Pittsburgh winter to bring you dank tunes, yours truly,
DREKULA
FIGHT AMP's Hungry for Nothing and it's follow-up Manners and Praise are two albums that call back to the days of booze-soaked metal-punk festering in the basements of New Jersey. It's really great to see these guys getting the exposure they deserve. Having been a touring band for about seven years and dealing with several line-up changes, theses guys are professionals in their craft. Their many splits, especially those with with Exosus and Black Tusk, show case their brooding sound, and their two albums have been excellent explorations into the depths of their manic depravity and punk debauchery. I mean honestly, the title of their first EP says it all: Ugly kids doing ugly things. After that night's show they said that they are hopefully playing another Pittsburgh show in May/June on another US tour, so keep your eyes peeled!
FIGHT AMP Myspace and Official Website
DL (MF) - HUNGRY FOR NOTHING
DL (MF) - MANNERS AND PRAISE
ROSETTA's self-labelling as "metal for astronauts" is adequately fitting, and they have been carving out their particular sound for a long time with relentless touring both in the US and abroad. Their latest release A Determinism of Morality is an exploration into the emotive cascades of pounding drums and ethereal guitars and synths, layered with brutal vocals. Loud, immersive and intense, Rosetta continues to remain aloof of the label "post metal" while maintaining the chaos of creativity.
ROSETTA Myspace and Official Store
DL (MF) - A DETERMINISM OF MORALITY
I know Kylesa's Time Will Fuse Its Worth is already heavily trafficked on the internet, but I feel like posting this because it just deserves the attention. Spiral Shadow, though having received mixed reviews for its accessibility, I believe is a great album despite it's tendency towards being more polished and produced. The latter is a true showcase of awesome stoner metal, while the former displays Kylesa's recent leaning towards a heavy yet noticeably more accessible sound... you be the judge.
KYLESA Myspace and Official Website
DL (MF) - TIME WILL FUSE ITS WORTH
DL (MF) - SPIRAL SHADOW
Braving the frigidity of the Pittsburgh winter to bring you dank tunes, yours truly,
DREKULA
Weekend Nachos BLEED EP and Daiseycutter from Indiana
Best way to start off the 2011 year of house shows in Pittsburgh: have Weekend Nachos play a house-show in your place. The devils at the Helter Shelter in Pittsburgh's Lawrenceville neighborhood started off their year of house-shows with a packed powerviolence show on January 4th featuring the fun-loving Chicago natives. They might have possibly been the loudest band I've ever seen, and they totally kicked ass; opening with the classic "Prioritize" and ending with the crushing "Shot in the Head," which is one of the two songs off their latest EP Bleed out on Relapse. Bleed is a two-track, 14 minute descent into a madness of frenzied hardcore and straight doom-ridden sludge... a true little gem. Can't wait to hear what is on the horizon for these guys.
Weekend Nachos Myspace
DL (MF) - BLEED EP
Another band that played that night, and totally blew me away, was Indiana's DAISEYCUTTER, who's 7" press, Invertebrate, I picked up and am working on posting onto here. This is some brutal grind from America's burned-out mechanical heartland, and with influences from Terrorizor and Despise You. Stay tuned for these guys.
Daiseycutter Myspace
Cowabunga,
Drekula
Weekend Nachos Myspace
DL (MF) - BLEED EP
Another band that played that night, and totally blew me away, was Indiana's DAISEYCUTTER, who's 7" press, Invertebrate, I picked up and am working on posting onto here. This is some brutal grind from America's burned-out mechanical heartland, and with influences from Terrorizor and Despise You. Stay tuned for these guys.
Daiseycutter Myspace
Cowabunga,
Drekula
Nails - Obscene Humanity and Unsilent Death
If there is one thing to know about Nails, it is this: they will crush you. Though their live set at the Burning Love show mentioned in the last post was not as loud as desired, their execution was psychotically precise. No bullshit, and it was written all over their faces as they played. Their first release Obscene Humanity is a low-fi grind/hardcore album with distortion soaked riffs and machine-gun blasts firing over walls of feedback. Southern Lord got their claws on them and re-released their second album Unsilent Death, an excellent follow-up demonstrating their ability to display variety without sacrificing focus. Fast, grinding, and manic... basically, it smokes.
Myspace
Southern Lord Records Blog
DL (MF)- Obscene Humanity
DL(MF) - Unsilent Death
It's cold down here,
Drekula
Myspace
Southern Lord Records Blog
DL (MF)- Obscene Humanity
DL(MF) - Unsilent Death
It's cold down here,
Drekula
Thursday, September 30, 2010
BURNING LOVE - SONGS FOR BURNING LOVERS
With October looming its foliage-rotted, bark-covered claws at us, we must once again take shelter in the caves lit only by the screen glow of our computers. Luckily, before the cold winds brought the hard rain, on September 21st I had the chance to see Nails hop on board a show with Burning Love at The Shop in PGH. This unexpected lineup was a pleasant surprise, especially since the two were set to play a show in Vermont about a week later. Though the Nails review will be saved until another post, for now I'm getting in to a tractor trailor of kickass with wild-cards, Burning Love.
From the onset, Toronto-based Burning Love thrust out jack-knifing riffs and pave-pounding beats that reminded me of speeding into a twilight horizon. This three-year-old, five man powerhouse features the roaring vocals of Chris Coholan, former singer of the now defunct Cursed. I was definitely impressed by Coholan's stage presence; taking charge and reminding people that live shows are for passion and movement, not silent elitism and self-consciousness.
Their first full-length on Deranged Records, SONGS FOR BURNING LOVERS, is like getting into the Duke's General Lee with Lemmy and flipping a coin to see who drops the cinder block on the gas pedal. Clips of vintage race car collisions flash by as one is sonically tossed side-to-side, cruising through melodies that recall the self-destructive swagger of the Stooges. The mix is heavy on the vocals and guitars, while drums and cymbals cascade in the background. In general, it's fast, crunchy, and rich, though it could benefit from bringing up the bass. If you're a fan of Doomriders and Cursed, then you'll definitely want to check out this album. As always, if you really dig it, support the band and buy it...don't be cheap.
I GOT TROUBLE IN MIND,
DREKULA
From the onset, Toronto-based Burning Love thrust out jack-knifing riffs and pave-pounding beats that reminded me of speeding into a twilight horizon. This three-year-old, five man powerhouse features the roaring vocals of Chris Coholan, former singer of the now defunct Cursed. I was definitely impressed by Coholan's stage presence; taking charge and reminding people that live shows are for passion and movement, not silent elitism and self-consciousness.
Their first full-length on Deranged Records, SONGS FOR BURNING LOVERS, is like getting into the Duke's General Lee with Lemmy and flipping a coin to see who drops the cinder block on the gas pedal. Clips of vintage race car collisions flash by as one is sonically tossed side-to-side, cruising through melodies that recall the self-destructive swagger of the Stooges. The mix is heavy on the vocals and guitars, while drums and cymbals cascade in the background. In general, it's fast, crunchy, and rich, though it could benefit from bringing up the bass. If you're a fan of Doomriders and Cursed, then you'll definitely want to check out this album. As always, if you really dig it, support the band and buy it...don't be cheap.
Whiplashing Good Traxxx:
- Don't Ever Change -
- Gain -
- Miserable Sound -
- High Speed Wired -
- Alien vs. Creditor -
- Morning After Party -
DREKULA
Thursday, September 23, 2010
WORMROT / I ABHOR SPLIT 2010
Thanks to Grind and Punishment's awesome review of Abuse, I was shoved head-first into the madness that is WORMROT. Hailing from Singapore, and on tour in the USA for the first time, I had the distinct pleasure to catch these grind-warriors at the 31st Street Pub in PGH on September 8th. Bringing the noise without reserve, these guys were absurdly fast, tight, and ruthless, and really friendly in person... HOTDOG, you can't go wrong!
So, while at the show, I naturally picked up their most recent release which happened to be a split with I Abhor. To say the least, this is a 2010 grind gem; both bands drop heaping layers of face-shredding intensity that results in 11 minutes of straight brain damage. For a more detailed review, check out Sunyata's blog, but if you're like me and like to dive in head-first and blind, then download and grind away. Wormrot is STILL on tour in the US, so if you see they're coming through your town, throw them a goddamn grind-parade!
INFERNAL HAILZ,
DREKULA
MOSE GIGANTICUS - GIFT HORSE

Now, you might be saying, "Mose Giganticus? What the hell is that?", but allow me to convert this band's sound into an image:
Atop a dark-clouded mountain top, Thor is pounding on an enormous synth while shooting vibrating lightning bolts out of his eyes as every word he shouts is accompanied by the shattering of tall obsidian columns that were holding up burning piles of skulls that were Thor's back-up singers.
If you can wrap your mind around this, then you can definitely dig Mose Giganticus's third full-length album Gift Horse, their debut record on Relapse Records. I had the chance to see these guys on August 27th at the Garfield Artworks, and they delivered with deadly precision. Their blend of synths and sludgy metal riffs combined with ethereal melodies and pounding drums coalesce and mutate to extend audio-tentacles that make resisting uncontrolled head-banging futile. Personally I was never particular to synths being used in metal, but this was just too good to pass up. My eyes have been open, and now I must pass on the gospel.
[MediaFire link removed - send msg if desired]
Most supreme traxxx for the horse-rider:
Last Resort
The Left Path
Days of Yore
White Horse
The Seventh Seal
INFERNAL HAILZ,
DREKULA
P.S. Check out their video for The Left Path below... it's eerily realistic of the current plight of live-shows, i.e. lame hipsters.
Labels:
Gift Horse,
heavy metal,
Mose Giganticus,
Relapse Records,
review,
sludge metal,
synth punk
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